MICHELLE ANGELINI
DANNY P. BARBARE
JACK G. BOWMAN
CALOKIE
DON KINGFISHER CAMPBELL
MARC CARVER
BEVERLY M. COLLINS
DAN DIAMOND
JEFFREY R. GRUBERT
CHARLES HARMON
ANITA HOLZBERG
BRIONY JAMES
JEFFRY MICHAEL JENSEN
JOAN McNERNEY
THELMA T. REYNA
LING SENA
RUSSELL SMITH
LUKE STILWELL
AMBIKA TALWAR
JOHN R. TOWNSEND
LORI WALL-HOLLOWAY
LYNN WHITE
The 2016 SGVPC is available in two sizes, digest (5 1/2 x 8 1/2), and desktop/wall (8 1/2 x 11). Either way, they're just $5 a copy. Come to the publication parties on Saturday, December 19th and 26th at 3pm inside the backroom of the Santa Catalina Branch Library on 999 E. Washington Blvd. in Pasadena to pick up yours. Can't make it to the readings? Order copies of the calendar via http://paypal.com, select Send Money to make payment ($7 each, includes $2 shipping) to kingfisher1031@charter.net.
Thursday, December 17, 2015
Wednesday, December 16, 2015
16 poets read from SGVPQ 68
MARIA A. ARANA
baby makes…
baby makes…
baby makes fake mommy kill herself
hurts so bad to see her body mangled with
therocks
white hair
white heart
impure
baby makes you burn yourself
the skin scorches
and you stand there gawking at the blisters
baby looks the other way and other babies dothe
same
can’t stand baby murderers
but babies kill without remorse
baby shoots daddy
baby stabs mommy
baby sleeps with teeny baby
they watch and learn
and learn to watch
mimicking society
adults should fear their blank stares
baby isn’t baby anymore
JACK G. BOWMAN
Gathering Intel
Gathering Intel
The forehead opens up to the left
a blue gloved scientist peeks inside,
he smiles as he examines the workings;
LED lights flash and microprocessors buzz
quietly
and the droid for his part, waits
as if this were a usual exam
a small set of tweezers move in and out,
a tool pokes into a lateral aperture
and shifts down, then out,
the researcher sighs and after a last look
closes him back up
"all set to go, remember blend in
Charlie."
they do a battery of 47 tests on the new
adjustment,
elapsed time 2,000,000,000s of a second
test number 46 is a little off,
but still within normal limits
a young
observing assistant asks
"Why that Dr.?"
"Personality."
CALOKIE
Christmas of ’68
Christmas of ’68
The first time I traveled by plane was the
Christmas of ’68
when Cheryl and I took Luke, 9 months old, to
visit my mother
and stepdad, Jimmy, who he would later call Mo
and Po.
Luke was born two weeks before Martin Luther
King was assassinated one year from the day he spoke in opposition to the
Vietnam War from the pulpit of the Riverside Church in New York City.
In June that year, just when it seemed Robert
Kennedy was on
the verge of ending the war in Vietnam after
winning the California Democratic Presidential primary, he was murdered
like his brother.
Thus by removing the greatest obstacle in
“Lord, love me, I’m
a liberal” Hubert Humphrey’s way, the “Masters
of War”
were free to continue their carnage.
Jesus Christ, I wondered!
What kind of a world has my beautiful boy been
born.
I did not feel like eating but the next day, I
broke my fast
by pigging out on peanut butter spread on
crackers.
In August we watched on our black and white TV
at the 1968
Democratic Convention in Chicago, Daley’s blue
bullies charge
with clubs swinging a crowd of anti-war
demonstrators shouting,
THE
WHOLE WORLD IS WATCHING!
THE
WHOLE WORLD IS WATCHING!
THE
WHOLE WORLD IS WATCHING!
Of course Tricky Dick who I voted for in 1960
was elected
that November. Mom and Jimmy probably voted for
Nixon
but this was Christmas and as the head of our
family, Grandma
would say for family gatherings, “Never argue
politics or religion.”
Besides Mom caught the Hong Kong Flu from
Cheryl
who got it from Luke who unlike Mama and
Mo recovered quickly.
Christmas Eve on Mom and Jim’s color TV, I
watched world premiere of “How the Grinch Stole Christmas.” That night it
snowed and I woke up to a rare white Christmas in Oklahoma.
When we returned to our Pasadena home, a month
before Luke’s year old birthday, Richard Nixon was inaugurated President
of the United States
DON KINGFISHER CAMPBELL
Three Layer Brownie
Three Layer Brownie
Via biting
wind and salivic surf, he eats through, purchased from a petite
waterfall-haired cheerful teenage student, a chocolate mesa, to create a
crumbly cliff revealing baked layering of a heated past. The recently
refrigerated Saran-wrapped surface of crusty dark brown plated mantle, held up
by the deeper darker nearly black Oreonic cream-filled muddy subsoil, in turn
supported by an array of larger melted chips like gigantic boulders buried in a
blonde cake base, methodically vanishes. All washed down an over half-century
old teaching throat in waves of bubbly cranberry red water encased in
lightweight recyclable aluminum from the virtually empty great dispensing
machine monolith in the busy teacher’s cafeteria rectangle.
BEVERLY M. COLLINS
Quicksand
Quicksand
He could make your fingertips
crave the softness of a moment,
your brown eyes blind
to heartbreak.
He laughed in the face of thunder
through a storm.
He was ruff in the right way and
smooth when it counted.
All Brilliance, quirky, serious-fun and warm.
He knew his a way around silence.
Hide secrets between raindrops,
fell through hard times and
held dreams of heaven's gate
He had a smile like a warning
that his kiss was habit-forming
He was quicksand and it was too late.
POET COOPER
Lost Tooth
Lost Tooth
in the bathroom sink—the red
bull dances, dances
one wheel up over the curb, lifted
white primer truck, with aftermarket
fenders.
The lost tooth
in the bathroom sink the red bull
dances, dances, the boy with ink hands
screaming on
a street tattoos wings on the open
mouthed buildings, the lost
tooth in the bathroom sink the red
stained towel held
to her opened skull
Widow-maker draws her smiles in lap
dance-chances, romances, our names
lost in bathroom
sinks where we mirror eyed
red bull dances, dances.
SEVEN DHAR
One Morning in Mei
One Morning in Mei
I wake with woodcutting on my mind
Bury my adze with delight
But morning comes too soon
And I retire to such time
When I can call out, Timber!
Warm in the morning light
Time grows thin, hatchet in hand,
I seek the woods by Jungle Thi
Where Tygress purrs and her fur aligns
Pounces the path and wood alights
Scratching post territory defines
Spray and spray such scent,
Maul the bone, lick feline accent:
"Me came many a weary way
Wandering wilderness where to allay
Gnawing of trembling tum'
My bloat the rumble of bubbling gum
Here I'll mine soft ivory, the licking kind
Its fine marrow warm pearly white
So wending through the forest maze
Until on woodcutter I set my gaze"
Soon goes before some wild cat
How my morning turns a harrowing tale
Two span between her padded track
And I'm still here the morrow to sail
G.T. FOSTER
The ' Word
The ' Word
The word has stayi'g power
Most slurs do
Very few actually from
that regio' of West Africa
It's their call
Thi'k it empowers them
somehow to use it thus
A way to say I'm better
But it will
'ot be boxed-i'
'ow it has crossed over
Heard Mexica' boy use
i' hallway Jefferso' High
School, South Los A'geles
That's
my 'igger, he shouted!
I rose from my desk a'd walked
quickly to door a'd looked dow'
the hall to see two Latio' s arms
arou'd each the other's 'eck a'd
shoulder
Same voice blurted a'ew:
Youse my 'igger
Old black a'd hurt what's to say?
'either of the two were bor' here
But that hateful old word was lear'ed here!
ROSE ANNA HINES
Gardener’s Burial
Gardener’s Burial
Earth to earth
ashes to ashes.
When I leave this garden
may my blood and bone
feed the earth.
Grow exotic fungi,
or sharp bitty watercress for crisp salads.
Or sweet drip-juice-all-over-your t-shirt
apricots
or purple ruffle basil for pesto sauce and
linguini.
Or peanuts for some child’s peanut-butter and
jelly sandwich
or lavender for Drakkar Noir
to touch some rugged man’s face
and haunt a woman’s dreams.
Or plain grass for some cat or dog to eat.
or pansies, daffodils and roses
to inspire a van Gogh or Okeef.
Or a pesky weed that grows
regardless of how often it is pulled
and how dry it seems to get
and doesn’t let concrete or cursing stop it.
JAN SEE KING
Ever Alive
Ever Alive
Jasper sun on water
on
patience
an
Earth laurel
avidly
fragrant
follows—
sapphire
eyes
beguiling
depth.
It, cerulean,
renews
morning lelahel
keeps
river
nuances
gold.
When overcome morning
like down rolls clouds
over what it must no
longer see—fire in
California trees, rods
that bow washed fishes
slung writhing with wrath.
When power reasons that
son evermore is alive
and patient, it ) wine
from a vineyard, star
from a temple watch,
seed begun from the burnt
forest ( edges into spent
rule a seduction rivers
know—thunder over rock
lifting lambs’ wool, rolling
testimonies to the naked
edges listening. Day and
night song in tongues—
barley burbling droplet brides
who may marry the dead
and carry them river alive.
MINA V. KIRBY
Ric’s Story
Ric’s Story
A man once stood
at the edge of the Bixby Creek Bridge
in Bug Sur
the wind blowing his hair askew
his intent to plunge
into the dark moving waters
below
He imagined that the impact
on the water’s surface
would break his neck
keeping him from experiencing the agony
of drowning
Almost immediately
his worries and pains
would float away with the stream
He stood
looked out at the cloudless blue sky
for what would be the last time
Just a small climb over the guard rail
an slight outward tip forward
he could let gravity
take care of the rest
He would have
no more financial woes
or fights with his family
no more feelings of being
not quite good enough
no more unsuccessful struggles
to succeed
But then
just for a moment
he let his mind stray
to a memory
of holding his daughter’s tiny hand
as he pointed out small creatures
in a tide pool
Unbidden
another picture appeared
of the day they went to the church picnic
of his gawky young son’s grin
and shout of joy
when they won that silly three-legged race
together
Suddenly he felt an intense longing
to enfold his wife in his arms
to feel her warm body next to his
let their tears mingle
to begin yet one more time
the work of living
together
He turned
walked away from the bridge
telling himself
that on some future dark day
he could come back again
After all
the bridge would always be there
But in that short time
standing there in the wind
something in him had changed
and he knew
as clearly as he had ever understood
anything in his life
that he never would
This is a true story. After a very successful life,
Ric passed away peacefully many
years later, at age 78.
THELMA T. REYNA
Ideology
Ideology
2015
“…race is a social construct, with very little or no biological
basis. Race exists only because of racist ideologies.”
--E.E. Telles (2004). Race in Another America….
took only 2 weeks after the last rhodesian to
set
demons loose: fire-stoking monsters crawling in
midnight dirt to burn what they cannot squelch
seven black churches dissolved to earth,
brick skeletons stuffed with ash and beams,
crufixes scorched like wildfire limbs, hymnals
charcoal skins curling under pews
the charleston 9, swathed in our nation’s tears,
suffused with grace, inspiring grace,
were barely in the ground
ideology is cloth bigots fold themselves into,
melting
in threads, banners and bars, souls draped on
rags,
brains deadened with myth and pseudo-gods to
justify
how others are inferior
JOSHUA ROARK
Body Language
Body Language
Not all, but some in the classroom laugh,
young fleshy noises bubbling up
around your words, cutting instructions in
half.
You smile at their smiles and take your cue to
shut-up.
The pencil ends wiggle in their growing grips
like the tails of so many happy little dogs.
“Let the words fall out,” you tell them. “Feel
the drips
and let honesty spring from your young mind’s
fog.”
Not all, but some scribble honestly on the
page,
their hands dancing a quick beat of hurt and
play
to create, to dig, to lift and reach and rage
toward the graphite honesty they struggle to
say.
“But why’s it gotta be honest?” she asks
through her gum.
You shrug.
She shrugs. They write. Not all, but some.
CaLokie and Marvin L. Dorsey read...
LUKE STILWELL
The Irish Version
The Irish Version
Are you hungry?
Hey, come on.
ARE you hungry?
I’m feeling something.
I asked you a direction question soldier!
Soldier?
Sorry, channeling Sarah O’Conner in Terminator.
I think that’s Sarah Conner.
It’s the Irish version.
I don’t think there is an Irish version.
Wait a minute, are you really going to blog
this? That?
What?
The above.
I can’t even remember which one of us is
represents which side.
Careful meticulous writer you are. Anyway…
hungry now?
A little. Maybe. I feel a twinge.
We all pray upon your twinge.
Pray harder.
LORI WALL-HOLLOWAY
Make Believe
Another generation takes
on role of Mistress Puppeteer
and brings to life a world
once alive 25 years before
She chooses small brown
plastic bears strewn over
table and sets them inside
toy schoolhouse to pretend
“Little
Bear, let me go
on the swing first,” calls
out a bear before another
cries from the seesaw,
“Play with me.”
Mistress Puppeteer commands
bear students to dance until -
Tinkle, tinkle, tinkle
A small bell positioned
in building’s tower
marks end of recess
and bears march inside
where lessons begin
Sunday, November 22, 2015
30 poets being published in SGVPQ 68
MARIA A. ARANA
JACK G. BOWMAN
CALOKIE
DON KINGFISHER CAMPBELL
BEVERLY M. COLLINS
POET COOPER
SEVEN DHAR
ROBIN WYATT DUNN
MARK A. FISHER
GREGORY FOSTER
KATHLEEN GUNTON
CHARLES HARMON
LINDA MARIE HILTON
ROSE ANNA HINES
ALEX ANDREW HUGHES
JEFFRY MICHAEL JENSEN
JAN SEE KING
MINA V. KIRBY
DEBORAH P KOLODJI
MARIE LECRIVAIN
JOAN McNERNEY
KATHERINE NORLAND
THELMA T. REYNA
JOSHUA ROARK
LING SENA
LUKE STILWELL
JERI THOMPSON
TIM TIPTON
MAJA TROCHIMCZYK
LORI WALL-HOLLOWAY
JACK G. BOWMAN
CALOKIE
DON KINGFISHER CAMPBELL
BEVERLY M. COLLINS
POET COOPER
SEVEN DHAR
ROBIN WYATT DUNN
MARK A. FISHER
GREGORY FOSTER
KATHLEEN GUNTON
CHARLES HARMON
LINDA MARIE HILTON
ROSE ANNA HINES
ALEX ANDREW HUGHES
JEFFRY MICHAEL JENSEN
JAN SEE KING
MINA V. KIRBY
DEBORAH P KOLODJI
MARIE LECRIVAIN
JOAN McNERNEY
KATHERINE NORLAND
THELMA T. REYNA
JOSHUA ROARK
LING SENA
LUKE STILWELL
JERI THOMPSON
TIM TIPTON
MAJA TROCHIMCZYK
LORI WALL-HOLLOWAY
Saturday, August 29, 2015
18 poets read from SGVPQ 67
LORI
WALL-HOLLOWAY
Rainstorm
Light
illuminates darkness ushered
in by loud
thunder that shakes ground
accompanied
by water pounding
the earth.
The splash
of tires on rain soaked streets
are
calming to hear while cuddled
in warm bed inside home.
in warm bed inside home.
BRIAN
THORPE
I Saw An Old Man Weeping Alone
I saw an
old man weeping alone as he sat on a city bench.
His open sobs seemed even louder than the urban
din that enveloped us.
His tears were more torrential than a hundred summer storms.
His open sobs seemed even louder than the urban
din that enveloped us.
His tears were more torrential than a hundred summer storms.
A
multitude scurried past him,
paying little if any attention,
let alone allowing the time to inquire as to what it was that saddened him so, or offer a gentle touch.
paying little if any attention,
let alone allowing the time to inquire as to what it was that saddened him so, or offer a gentle touch.
I did take
notice but I didn't act,
steeped, mired, consumed as I was in
some myopic maelstrom of vain distractions.
My head was tilted down, my jacket collar turned up as if
to brave a blizzard.
And thus I moved past him, icy and brisk like a north Atlantic wind.
steeped, mired, consumed as I was in
some myopic maelstrom of vain distractions.
My head was tilted down, my jacket collar turned up as if
to brave a blizzard.
And thus I moved past him, icy and brisk like a north Atlantic wind.
I came to
the end of the block and something unseen compelled me to turn around.
When I did the bench was empty. The doleful man had been swallowed by the chaos of concrete and car horns.
I went on my way, tossing the image and sounds of him behind me as if they were handfuls of worthless coins.
When I did the bench was empty. The doleful man had been swallowed by the chaos of concrete and car horns.
I went on my way, tossing the image and sounds of him behind me as if they were handfuls of worthless coins.
I made my
way to an amber lit tavern.
Once inside, I bathed luxuriously in oceans of Bushmill's
and rivers of Merlot, while the juke box kept me sweetly
sated with Nashville cliches and moldy oldies.
Once inside, I bathed luxuriously in oceans of Bushmill's
and rivers of Merlot, while the juke box kept me sweetly
sated with Nashville cliches and moldy oldies.
Yet above
the clinking of ice, the drunken laughter,
at the bartender's jokes, the riffs of Chuck Berry and the twang
of Hank Sr., I could hear the old man's sobs as though from a distant vale.
They became faint words of admonition.
His remembered tears were now a message scrawled on
the bar with invisible ink.
at the bartender's jokes, the riffs of Chuck Berry and the twang
of Hank Sr., I could hear the old man's sobs as though from a distant vale.
They became faint words of admonition.
His remembered tears were now a message scrawled on
the bar with invisible ink.
What if,
they wrote, there comes an hour when some chill pair of hands takes hold of me
like a set of medieval shackles,
rendering me motionless and, as such, a victim to some onslaught of grief.
rendering me motionless and, as such, a victim to some onslaught of grief.
What will
it be about or threaten to become?
The death of a lover, a terminal malady, the imminence of war or some epic upheaval?
Faith elusive, abandoned, misplaced or betrayed?
Mirages once prized by a cocky, foolish boy esteemed and
exalted them years before to venerated plateaus, only to have them, in more wizened years, reveal the true nature of what they'd always been:
Paint by number portraits, sophistries cloaked in the
tongues of wisdom, salacious encounters disguised as love,
All as void of any true value as the ring in a crackerjack box!
The death of a lover, a terminal malady, the imminence of war or some epic upheaval?
Faith elusive, abandoned, misplaced or betrayed?
Mirages once prized by a cocky, foolish boy esteemed and
exalted them years before to venerated plateaus, only to have them, in more wizened years, reveal the true nature of what they'd always been:
Paint by number portraits, sophistries cloaked in the
tongues of wisdom, salacious encounters disguised as love,
All as void of any true value as the ring in a crackerjack box!
And should
the sundial signal that moment, will I take the place of the old man who
sat on the bench so distraught and abandoned?
Will a blind, impervious, throng whirl around me as it had him?
Will I silently beg for comfort like Oliver Twist with my bowl in hand?
And should I look up, will you be the ones who keep walking,
uncaring, remote and awaiting your turn to weep?
Will a blind, impervious, throng whirl around me as it had him?
Will I silently beg for comfort like Oliver Twist with my bowl in hand?
And should I look up, will you be the ones who keep walking,
uncaring, remote and awaiting your turn to weep?
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